i recently bought EZmix from Toontrack. i guess you get what you pay for... it's okay for quick demo mixing, but i wouldn't use it to mix an album with. what i would use to mix an album is Izotope's Alloy. now that's a tool for mixing!!
Friday, October 15, 2010
Saturday, September 18, 2010
Friday, September 17, 2010
Vox
Man these amps are just great!!!! I'm using it in Guitar Rig4 (Native Instruments) but I would love to own one!!!
Monday, September 6, 2010
Saturday, August 21, 2010
Logidy (lo djee dee)

if you've bought GuitarRig waaaaay back and don't like the silly blue pedal and don't want to upgrade to the new expensive pedal either or maybe you just bought the GuitarRig software version but now decided that you'd like an affordable midi foot controller... then the Logidy UMI3 Midi foot controller is for you!
Wednesday, June 30, 2010
room EQ

i'm thingking about room EQ... just not sure if i should just slap some EQ on the "logic bus" or if i should get a hardware rack EQ.
now i know a lot of people are against it but i haven't got money for some fancy room EQ plugin. the bass traps work great but there's still a spike at 125hz. (i've tested it with this bass tone sweeping from 40Hz to 300Hz).
other ways to do it:
Tuesday, May 4, 2010
philosophy
my new philosophy is that i'm going to use minimal intervention (compressor/eq etc) to ensure the purest expression of the sound i capture.
Friday, March 12, 2010
Logic Pro 9 Essential Training - www.lynda.com

here are some free video tutorials from Lynda.com about Logic 9.
http://www.lynda.com/home/DisplayCourse.aspx?lpk2=58707
getting your workflow in order
http://www.lynda.com/home/Player.aspx?lpk4=62244
Sunday, February 28, 2010
analyzing the Beatles' audio
Saturday, February 27, 2010
there's something very attractive about magnetic tape - no pun intended

i've done a little experiment. i decided that - hey, before i'm going to master this sucker i'm going to record the mix-down to a normal analogue tape cassette (compact cassette). then once it's on tape i'm going to record it back into logic with a little analogue hardware compression, a samson s-com 4 (-2db threshold). then layer it under the digital recording so that you can just hear it but not so much that it change the mix-bus compression... man do i like the effect!!!! it's just - and i hate it when people say it - warmer sounding. maybe it's all in the mind but there's something cool and funky about the result. try it...
here's a cool read if you're a history fan like me.
Labels:
analog,
analogue,
cassette tape,
music recording techniques,
tape
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